« In a capacitor, as Kayu rightly says, the concrete part made of chemical material has the capacity to carry an amount of potential energy, a given charge of electricity. As electricity has no shape of its own and cannot be touched (apart from the tingling feeling we often get when directly touching electronic components and circuit boards), it can be said to be abstract. The capacitor, with its material shell bearing a spark of energy, is an analogy for the vessel of life; the "condensateur" (French) where a potential of energy condenses into a soul.

« Since the beginning, following in the footsteps of so many before me, I've been climbing up onto the path from concrete to abstract, from inanimate discarded machines and materials abandoned by their human owners, up to animated machines or robots, with sparks of life, personalities, souls, destinies, and eventually deaths. So it was that I was climbing Mount Negentropy, feet stuck in the mud of the concrete and heading towards the abstraction of life. Then I met Kayu Nakada. I don't know how he managed to fly straight to the top, but I think in this exhibition we set a landmark between abstract and concrete, a (galvanic) connection between faceless deities and "faceful" robots, between circuits, machines, montages and drawings. It may be seen in its most effective form in the "Cycle of Life", this pregnant creature secured on the ceiling of 原料, a 鯤鵬 made of chaos, cables and plates, full of emptiness and light, whose pet name is Inochi (命) » /guibog